Canaletto in England: A Venetian Artist Abroad, 1746-1765‚ Charles Beddington‚ Yale Center for British Art and Dulwich Picture Gallery in association with Yale University Press‚ 2006. 220 pages‚ ISBN 978-0-300-12500-9. America's Eye: Irish Paintings from the Collection of Brian P. Burns‚ Edited by Adele M. Dalsimer and Vera Kreilkamp‚ Yale Center for British Art/Boston College Museum of Art‚ 1996. 144 pages, 49 color plates‚ ISBN 9640153-4-X.   Andrew Forge: A Retrospective‚ Essays by John Hollander and Michael Kubovy‚ Yale University Press‚ 1996. This retrospective exhibition brought together for the first time sixty-two paintings and works on paper, all selected by Mr. Forge, who served as Dean of the Yale School of Art from 1975 until 1983 and as Professor of Painting until his retirement in 1994. 47 pages, 15 color and 16 b/w illustrations‚ ISBN 0-930606-78-7.   The Art of Bloomsbury‚ By Richard Shone with essays by James Beechey and Richard Morphet‚ Tate Gallery Publishing‚ 1999. 293 pages, 195 color and 165 b/w illustrations‚ ISBN 0-691-04993-9.   C. R. W. Nevinson: The Twentieth Century‚ By Richard Ingleby, Jonathan Black, David Cohen, and Gordon Cooke‚ Merrill Holberton in association with the Imperial War Museum, London‚ 1999. This exhibition catalogue features the artist's early Futurist-inspired paintings, his career as a war artist, his interwar cityscapes of London, Paris, and New York, and the apocalyptic foreboding of his last works. 192 pages, 175 color and 30 b/w illustrations‚ ISBN 1-85894-102-4. Canaletto to Constable: Paintings of Town and Country from the Yale Center for British Art‚ Essay by Cynthia E. Roman, literary texts chosen by Carrie Roider‚ Yale Center for BritishArt‚ 1998. Published to accompany an exhibition at the Wadsworth Atheneum, the catalogue pairs forty-three of the Center's paintings with excerpts from contemporary texts of English literature. 120 pages, 43 color illustrations‚ ISBN 0-930606-85-X.   A Concise Catalogue of Paintings in the Yale Center for British Art‚ By Malcolm Cormack‚ Yale Center for British Art‚ 1985. This catalogue provides basic information about each painting and reveals the size and scope of the Center's collection. It is arranged alphabetically by artist, is fully illustrated, and includes the works of nearly 400 artists. 271 pages, 1,242 b/w illustrations‚ ISBN 0-930606-48-5C.   David Bomberg‚ By Richard Cork‚ The Tate Gallery‚ 1988. This fully illustrated catalogue accompanied an exhibition of over 200 of the artist's works. It includes sections on Bomberg's life and the different periods of his work. 175 pages, 67 color and 250 b/w illustrations‚ ISBN 0-946590-87-7.   David Finn: Evocations of Four Quartets‚ With a preface by Stephen Spender and introduction by David Finn‚ Black Swan Books‚ 1990. This catalogue accompanied an exhibition of paintings by David Finn that were inspired by T. S. Eliot's "Four Quartets.". 96 pages, 38 color illustrations‚ ISBN 0-933806-61-2.   Fancy Pieces: Genre Mezzotints by Robert Robinson and His Contemporaries‚ By James A. Ganz‚ Yale Center for British Art‚ 1994. This catalogue offers a survey of prints by the decorative painter and stage designer and his contemporaries. Robinson's mezzotints belonged to a more informal and popular class of images known as fancy pieces and ranged in subject matter from architectural caprices to still lifes. 36 pages, 17 b/w illustrations‚ ISBN 0-930606-75-2.   Francis Bacon: A Retrospective‚ Essays by Dennis Farr, Michael Peppiatt, Sally Yard, catalogue by Dennis Farr‚ Harry N. Abrams in association with the Trust for Museum Exhibitions‚ 1999. 240 pages, 73 color and 50 b/w illustrations‚ ISBN 1-882507-07-X.   Garth Evans: Sculpture & Drawings, 1979–1987‚ Introduction by Dore Ashton‚ Yale Center for British Art‚ 1988. Accompanying an exhibition of ninety sculptures and drawings, the catalogue includes biographical notes and a complete checklist. 32 pages, 5 color and 7 b/w illustrations‚ ISBN 0-930606-57-4.   George Stubbs in the Collection of Paul Mellon‚ By Patrick McCaughey, Malcolm Warner, Scott Wilcox, Elisabeth Fairman, Gillian Forrester, and Timothy Barringer‚ Yale Center for British Art‚ 1999. This catalogue commemorates the exhibition mounted at the Yale Center for British Art as a memorial tribute to its founder, Paul Mellon. 112 pages, 93 color and 3 b/w illustrations‚ ISBN 0-930606-90-6.   Great British Paintings from American Collections‚ By Malcolm Warner and Robyn Asleson, with contributions by Julia Marciari-Alexander, Brian Allen, and Patrick McCaughey‚ Yale University Press‚ 2001. 262 pages, 81 color and 41 b/w illustrations‚ ISBN 0-300-09222-9.   Henry Moore and the Heroic: A Centenary Tribute‚ By Patrick McCaughey‚ Yale Center for British Art‚ 1999. 80 pages, 23 color and 4 b/w illustrations‚ ISBN 0-930606-97-6.   James Tissot: Victorian Life/Modern Love‚ By Nancy Rose Marshall and Malcolm Warner‚ Yale University Press and Yale Center for British Art‚ 1999. This catalogue presents about a hundred paintings, prints, and watercolors that represent every phase of the career of James Tissot (1836-1902), the wry and urbane observer of manners and fashions. 97 color and 27 b/w illustrations‚ ISBN 0-930606-89-2.   John Copley (1875–1950)‚ By Gordon Cooke and John Russell Taylor‚ Yale Center for British Art‚ 1990. This catalogue presents the graphic work of one of Britain's most original yet neglected modern printmakers. It accompanied the artist's first one-man exhibition and includes an annotated checklist. 16 pages, 11 b/w illustrations‚ ISBN 0-930606-61-2.   John Hubbard‚ Introduction by Peter Fuller‚ Yale Center for British Art‚ 1986. 24 pages, 10 color and 6 b/w illustrations‚ ISBN 0-930606-53-1.   John Virtue: London Paintings‚ Simon Schama, Paul Moorhouse, Colin Wiggins‚ National Gallery London‚ 2005. 128 pages‚ ISBN 1857093852. Kenneth Martin‚ By Andrew Forge‚ Yale Center for British Art‚ 1979. 104 pages, 81 b/w illustrations‚ ISBN 0-930606-16-7.   Maggi Hambling: An Eye through a Decade‚ By George Melly and Mel Gooding‚ Yale Center for British Art‚ 1991. This exhibition catalogue introduces the United States to one of England's foremost contemporary painters of landscapes, subject pictures, and portraits. 19 color and 19 b/w illustrations‚ ISBN 0-930606-66-3.   Michael Upton: Paintings, 1977–1987‚ By Mel Gooding‚ Yale Center for British Art‚ 1987. 19 pages, 4 color and 6 b/w illustrations‚ ISBN 0-930606-55-8.   Noble Exercise: The Sporting Ideal in Eighteenth-Century British Art‚ By Stephen Deuchar‚ Yale Center for British Art‚ 1982. This study explores the diversity of popular reaction toward sport in the 18th century by means of depiction by such artists as Morland, Stubbs, Rowlandson, and Wootton. 48 pages, 68 b/w illustrations‚ ISBN 0-930606-41-8.   One Man's Henry Moore‚ By David Finn‚ Black Swan Books‚ 1993. In this personal account of his friendship with the sculptor Henry Moore, the photographer David Finn describes what he calls "one of the most satisfying and rewarding experiences of my life". 110 pages, 16 b/w photographs‚ ISBN 0-987654-32-1.   Painted Ladies: Women in the Court of Charles II‚ By Catherine MacLeod and Julia Marciari-Alexander, with essays by Kevin Sharpe, Diana Dethloff, and Sonya Wynne‚ National Portrait Gallery, London, and the Yale Center for British Art‚ 2001. The first new study of Restoration portraiture in nearly twenty years, this exhibition catalogue looks at some of the most beautiful and fascinating portraits of court women of the period, from royal brides and daughters to mistresses and actresses. By studying the context in which their portraits were produced against the biographies and reputations of the women themselves, this book sheds new light on one of the most complex and intriguing areas of British art history. 256 pages, 120 illustrations‚ ISBN 1-86614-321-6.   Richard Redgrave‚ Edited by Susan P. Casteras and Ronald Parkinson‚ Yale University Press‚ 1988. This fully illustrated catalogue explores various aspects of this Victorian artist's career as painter, draughtsman, designer, art theorist, and museum official. 175 pages, 12 color and 138 b/w illustrations‚ ISBN 0-300-04305-8.   Robert Mason: Broadgate Paintings and Drawings, 1989–1990‚ Introduction by Richard Cork and Richard Burdett‚ Rosehaugh Stanhope Developments plc‚ 1990. This catalogue accompanied an exhibition of Robert Mason's paintings and drawings documenting the construction of Broadgate, one of London's largest property developments. 63 pages, 52 color and 12 b/w illustrations‚ ISBN 873175-00-00.   Romantics & Revolutionaries: Regency Portraits from the National Portrait Gallery, London‚ By David Crane and Richard Holmes‚ National Portrait Gallery, London‚ 2003. 160 pages‚ ISBN 1-855143-37-2.   This Other Eden: Paintings from the Yale Center for British Art‚ Catalogue entries by Malcolm Warner and Julia Marciari Alexander, introduction by Patrick McCaughey‚ Yale University Press and Yale Center for British Art‚ 1998. Originally published to accompany the Center's traveling exhibition to Australia, this catalogue features eighty-one of the Center's masterpieces. 224 pages, 94 color and 71 b/w illustrations‚ ISBN 0-930606-86-8 +.   Victor Pasmore England's History‚ Essays by Lawrence Gowing and Leif Sjberg, and catalogue by Malcolm Cormack‚ Yale Center for British Art‚ 1988. This catalogue contains an interview with the artist, a chronology, a bibliography, and a listing of the fifty-seven works in the exhibition. 48 pages, 7 color and 10 b/w illustrations‚ ISBN 0-930606-58-2.   William Hodges 1744-1797: The Art of Exploration‚ Geoff Quilley, et al‚ Yale University Press‚ 2004. 212 pages‚ ISBN 0948065583.